My Photography Exploits for the month of May

16x9, ashness-jetty, Cumbria, Derwentwater, Lake, lake-district, Landscape, Spring, Sunset, tony-tomlinson-photography, UK

The month of May was split into two defined timescales, the first two weeks produced only one photography activity, whilst the last two weeks of the month produced a flurry of activity.

Garden Photo Shoot

The month began with a ad hoc photo session with Cody, a short and fun session in the garden with a bubbles machine, the plan was to set off the bubbles and try and capture Cody’s facial expressions.

tony-tomlinson-photography, grand-children
Bubbles and Cody

The next photo activity for me was on the 23rd May when we visited Northumberland, we enjoy visiting the Commissioners Quay Inn, having stayed here several times and enjoyed our stay each time.

Blyth

The weather during our stay was exceptional, clear sunny days for each of the four days, the plan was to enjoy the area and secure some quality R & R.

The first day was a slight lie-in, enjoy the breakfast then take a leisurely walk along the beach and in the park, where coffee and cake was the order of the day.

The second day began with a gorgeous 5.05 am sunrise, I only seen it due to me waking unexpectedly, on the back of this, I decided to get up and photograph the sunrise for the following day, the forecast was much the same, so a 4.30 am alarm was set.

My plan was to visit the two jetties at the entrance to Blyth Harbour, the reasoning being that it was not too far away, and I thought that I could get some decent images from this location.

I was surprised how warm it was at 4.45am, my coat was swiftly discarded, with a tee-shit being the order of the morning.

I began the long(ish) walk along the southern pier with the aim of getting to the end of it which would create a suitable angle looking towards the lighthouse in front of the impending sunrise, unfortunately, this was not possible as part of the wooden pier had collapsed and was fenced off.

A quick improvise to lign-up a shot, then back to the beach to capture some shots whilst the sun was still relatively low in the sky.

3x1, blyth, Blyth-Pier, jetty, Lighthouse, long-exposure, Northumberland, Seascape, Spring, sunrise, tony-tomlinson-photography
Blyth Harbour Entrance
3x1, blyth, Blyth-Pier, jetty, Lighthouse, long-exposure, Northumberland, Seascape, Spring, sunrise, tony-tomlinson-photography
Blyth Lighthouse from the Southern Pier

A satisfying mornings photography, and back to the hotel in plenty of time for the cooked breakfast.

This being the only photography of this trip, as I said it was aimed at plenty of relax and recreation.

Latrigg Fell

Once we were back home, and only a couple of days later, the weather gods were being kind, so it was another ridiculous alarm call to get me on top of Latrigg Fell well before sunrise.

The plan was to capture some pre-dawn blue-hour images, then concentrate on a shot that would go into my website portfolio section.

Overall, a nice morning’s photography with a suitable set of images, not the most original, but nice light conditions, and a sharp set of images.

3x1, Cumbria, Cumbrian-Mountains, Derwentwater, keswick, lake-district, Landscape, Latrigg, Spring, sunrise, tony-tomlinson-photography, UK
The View from Latrigg

I was back home before 8.30am with a well-deserved sausage sandwich purchased from Cottage Pie at Dearham on the way home.

Ashness Jetty.

The very next afternoon I was off to Ashness Jetty with the aim of securing a decent sunset image of the newly constructed pier which replaced the previous version which was wrecked during the winter floods.

Surprise number one was that I was unable to park in the car park on the road up to Ashness Bridge, this being full of cars, and a burnt-out wreck of a car, I managed to park the car just above the road junction.

Surprise number two was the number of people on, and around the jetty swimming in the Lake, it’s a while since I have seen this many people swimming in the water, but nice to see.
All I could do was wait and be patient, in the hope that by the time the sun began to set, the swimmers would have dispersed.

Waiting was not enjoyable, all I could do was picture compositions in my head, and wait for the people to leave, slowly, very slowly the number of people began to reduce, eventually leaving two paddle boarders, and a couple of people swimming, but I could work around these.

I needed to set the camera on the tripod so that I could capture a range of exposures which could be blended in post processing, this was necessary due to the very high dynamic range of the scene.

I was soon on my own, with a set of decent photographs, and a hope that one set of exposure brackets would be good enough to make it into my website portfolio.

Ashness-jetty, Cumbria, Derwentwater, Lake, lake-district, Landscape, Spring, Sunset, tony-tomlinson-photography, UK
Ashness Jetty Sunset

Harrington Railway Line

It is some months since I was last out to photograph the Red Squirrels at a local location, so I had a plan to visit here to try and get some more images of these lovely animals.
The temperature at this time were very un-seasonal in the mid to high 20’s, which I was unsure if they would affect the Squirrels.
Visit one, during the afternoon drew a blank with the Squirrels, I shot a few birds but that was it.

bird, bird-photography, Bullfinch, Spring, tony-tomlinson-photography, Wildlife
Bullfinch
bird, bird-photography, Great-Tit, Spring, tony-tomlinson-photography, Wildlife Photography
Great Tit

Visit two was a early evening visit, again no Squirrels on show, and it was soon too dark to take any reasonable photographs, so it was home empty handed.
Visit three was the nest morning, just after sunrise, the hope being the Squirrels would be out feeding at this time.
At first nowt, nothing showing, but after 45 minutes I caught sight of my first squirrel, then another and another. I was not sure if these were sightings of the same Squirrel, or different ones.
Again, a nice set of images was got, another worthwhile session

red-squirrel, Spring, tony-tomlinson-photography, Wildlife, wildlife-photography
Feeding Time
red-squirrel, Spring, tony-tomlinson-photography, Wildlife, wildlife-photography
Looking for Food

I was more pleased with a visit of a Jay, this was nicking the nits from the Squirrels, but they are a lovely, coloured bird.

bird, bird-photography, jay, Spring, tony-tomlinson-photography, Wildlife Photography
Jay

This brough to an end a hectic end to the month of May, which turned out to be a pleasing couple of weeks. A couple of images added to my portfolio, and a wide selection of images for my social media accounts.

Thank you for finding the time to read this blog, stay safe and lets seen what June brings?

Light: How it impacts on everyone’s photography

Barrow-Fell, Causey-Pike, Cumbria, Derwentwater, Grasmoor, Grisedale-Pike, lake-district, Landscape, long-exposure, Rowing-End, Spring, sunrise, tony-tomlinson-photography, UK

As a Lake District Photographer, light is the essential, creative element in photography, acting as both the source of illumination and the primary tool for creating mood, depth, and texture.

Controlling light through natural or artificial sources determines the subject’s prominence, contrast, and overall atmosphere.

Understanding Light

To fully appreciate the importance of light in photography, even in the best photography locations in the Lake District, it is important to have a basic understanding of how light works.

Light is a form of energy that travels in waves, when light waves enter the human eye or a camera lens, where the brightness and colour are interpreted to create an image.

It is the perception of light waves that creates a picture.

Light is the most essential component of photography, but the fun doesn’t have to stop when the sun goes down, portable flash, speedlights (small portable flash units), or studio flash (larger, mains powered light units) can be used to create both soft and hard light under stringently controlled conditions.

Light defines the photograph through intensity, this can be either hard or soft light, the direction of the light upon the subject, and colour temperature of the light.

Soft and/or Hard Light.

Soft light can be categorised as being gentle and/or diffused light creating subtle shadows, often found on cloudy days or using soft boxes/diffusers in a studio environment these are ideal for flattering portraits.

Hard light is normally created by direct, intense light which creates harsh, defined shadows, this great for high-contrast, dramatic scenes.

Using the direction of light in your photographs:

Front Light, this normally Illuminates the subject evenly, minimizing shadows but can produce flat images.

Side Light this highlights texture and creates drama by illuminating one side of the subject.

Back Light is when the light source is positioned behind the subject, creating silhouettes or a glowing “rim light” effect that separates the subject from the background.

More than one direction of light can be used to illuminate the subject, this is normally used in studio photography where is easier to accurately set-up and control the different light sources to create the image that the photographer is looking to achieve.

Light Temperature

Light temperature can be measured in different ways; the Kelvin range uses a number value to a given temperature colour.

Colour temperature can also be changed using a slider/dial where the range can be aligned from the blue to yellow spectrum, as you move the slider/dial the temperature within the image changes according to the direction you are moving the slider/dial.

 Examples of colour temperature are the golden hour, this would be rated a “warm” (yellow end of the colour spectrum) colour temperature, but an ice or snow scene would be rated as being “cold” (blue end of the colour spectrum) colour temperature.

A Lake District sunrise photograph would produce a “warm” colour temperature image, alternatively a Lake district winter photograph would produce a “cold” colour temperature image.

The following series of images are shot from the same location, but at different times to demonstrate the differing colour temperatures within the image.

Catbells, Cumbria, Derwentwater, lake-district, Landscape, long-exposure, maiden-moor, Spring, sunrise, tony-tomlinson-photography, UK
A “Blue Hour” (pre-sunrise) photograph, shot at 4.54 am in the UK summer. This produces a predominantly “cold” or blue image.

Practical Tips for Managing Light

Time of Day, midday light is often harsh, while morning and afternoon offer warmer, softer light.

Modify the light by using reflectors to bounce light into shadows or diffusers to soften harsh sunlight.

Light Painting is where a moving light source is used during long exposures to illuminate specific areas of a scene, or create a light “trail”

The Role of Light in Photography

The way you use light in your photographs can greatly impact the overall look and feel of the image.

Light creates shadows, highlights, and contrast which can add depth and ambience to your photographs.

You should learn to experiment with the placing of light or move your subject around to see how the changing light impacts upon your subject; this can dramatically impact the look and feel of an image.

Catbells, Cumbria, Derwentwater, lake-district, Landscape, long-exposure, maiden-moor, Spring, sunrise, tony-tomlinson-photography, UK
Sunrise produces a neutral colour temperature the image contains more “warmer” colours, but still has some “colder” tones within it. This image was captured at 5.14 am in the UK summer.

The Roll of Exposure in Photography

Another important aspect of using light in photography is exposure.

The exposure settings on your camera will dictate the amount of light that enters the camera and hits the camera sensor.

A proper exposure is essential for creating well-lit photographs that accurately capture the subject.

Techniques for using light in Photography

You can be as creative as you wish when experimenting with light but there are several techniques that are most effective when lighting your subject.

One technique is to use reflectors to bounce light onto your subject, this can help to fill in shadows and create an evenly dispersed lighting effect.

Another technique is to use a diffuser to soften harsh light, a diffuser can help to create a more natural-looking effect by spreading out the light and softening the intensity of shadows.

You can also experiment with different types of lighting to create different moods in your photographs.

Warm light can create a cosy and inviting atmosphere, while cool light can create a more clinical or sterile feel.

Another important technique to consider is the use of artificial lighting, studio lighting can help you to create a controlled lighting environment that allows you to highlight specific elements of your subject.

Tips for Using Light in Different Situations

Using light effectively in photography can be challenging in different situations, here are some tips for using light in different situations:

Outdoor photography:

When shooting outdoors, it’s important to pay attention to the direction and quality of the light. Early morning and late afternoon light can create a warm and inviting atmosphere, while midday light can be harsh and unflattering.

Try shooting in the shade or using a diffuser to soften harsh light.

By following these points, you are well on the way to produce images that will be suitable for landscape photography prints

Catbells, Cumbria, Derwentwater, lake-district, Landscape, long-exposure, maiden-moor, Spring, sunrise, tony-tomlinson-photography, UK
Post sunrise produces a much warmer colour temperature the image contains mostly “warmer” colours. This image was captured at 5.59 am in the UK summer.

Indoor Photography:

Indoor photography shoots generally require artificial lighting; there are numerous options available to create your own studio so try experimenting with different types of lighting.

Reflectors, soft boxes, or light diffusers are a helpful tool when attempting to bounce light onto your subject.

As a family photographer in Cumbria, these actions are always assessed before and during a shoot to ensure the best possible results are obtained.

Portrait Photography:

When shooting portraits, the subject’s face is usually the focal point and the area that needs most attention.

Here, side lighting can create dramatic shadows, while front lighting can create a drab and unflattering look.

If the aim is to create a natural effect, a diffuser will soften any harsh light, any outdoor family photoshoot in the Lake District would embody these considerations.

Landscape Photography:

When shooting landscapes, the direction and quality of light will differ at different times of the day.

Early morning and late afternoon light can create a warm and soft atmosphere, while midday light can be overly severe, try using a polarising filter to reduce glare and create more vibrant colours.

You can use light to create depth and dimension where light can create long shadows and interesting highlights, this can add another dimension to photos and create additional depth.

Try experimenting with different lighting angles and intensities and observe how shadows and highlights behave as you move and adjust.

Conclusion

The importance of lighting in photography cannot be overstated, lighting is central to all photography and once you have a strong understanding of techniques and light quality, there is no stopping you from creating stunning images.

Thank you for finding the time to read this article, if you have any questions relating to “light” please get in touch.

 

A Frivolous February.

crummock-water, Cumbria, lake-district, Landscape, long-exposure, mellbreak-fell, Reflections, snow, sunrise, tony-tomlinson-photography, winter

February 2026 has been a very slow and unproductive month for my photography work and my social media updates.

There are the usual reasons for this, my lack of enthusiasm, time constraints, shocking weather in the Lake District, and family commitments.

 The major reason for my lack of photography is very personal, that being my wife, Carole has had major surgery and has needed me to support her through her journey

She isn’t out of the water just yet, but she is on the mend, and hopefully it wont belong until she has her mobility and independence back.

 So with this aside, what have I been up too during the month of February, there isn’t much but here it is!

 Red Squirrels.

 The first weekend of February, a good friend of mine Lorraine introduced me to these adorable creatures at a local location.

 I have always wanted to see these creatures in the wild and to photograph them, this visit fully met my wishes. Once the Squirrels became use to us, they were soon scampering about snatching the food that we had laid out for them.

 Despite the speed and agility of the squirrels, and me still getting use to my new camera, I managed to get a few reasonable images form this visit, many thanks to Lorraine for her support and guidance.

tony-tomlinson-photography, red-squirrel, wildlife, winter, cumbria,
Red Squirrel feeding
tony-tomlinson-photography, red-squirrel, wildlife, winter, cumbria,
I’m watching you!
tony-tomlinson-photography, red-squirrel, wildlife, winter, cumbria,
White Belly

Derwentwater

I had a little bimble (a leisurely walk or journey) around Derwentwater, hoping to meet the forecast mist, sadly this was missing, but a nice wee walk anyway!

The Centenary Stones, created to celebrate the Centenary of the National Trust in 1995.

The Green Curved bench was placed on the headland of Calfclose Bay by the Keswick Lions Club to celebrate the Millennium.

The Derwentwater Launches, these travel in a clockwise and anticlockwise direction visiting the seven landing jetties scattered around the lake.

I had a short chat with Mark Hetherington about our plans for the morning and the conditions, as us photographers do!

Mark is a very good photographer who has an excellent back catalogue of images on his Instagram page (Instagram).

Despite not taking many images, it was good to be out in the fresh air and to be able to have a pleasant walk about without the maddening crowds of later in the day.

blue-hour, cumbria, Derwentwater, jetty, keswick, Landscape, launch, rain, tony-tomlinson-photography
One of the Keswick Launch’s tied up at the jetty
Cumbria, Derwentwater, hawthorn, Landscape, Lone-Tree, tony-tomlinson-photography, UK, winter
A Lone Hawthorn on the shore of Derwentwater
Borrowdale, Cumbria, Derwentwater, lake-district, Landscape, tony-tomlinson-photography, UK, winter
The curved seat at Calf Close Bay
calf-close-bay, Centenary Stones, Derwentwater, long-exposure, winter
The Centenary Stones  

Harrington Red Squirrels

A return to the wood to photograph the Red Squirrels, to horn my photo skills and to witness these stunning little creatures again.

We had to wait a while until they made an appearance, but the wait was worth it.

I managed to get some better photographs of the squirrels this time, and cant wait to get back to photo them again.

Cumbria, red-squirrel, tony-tomlinson-photography, Wildlife, winter
Posing
Cumbria, red-squirrel, tony-tomlinson-photography, Wildlife, winter
Climbing
Cumbria, red-squirrel, tony-tomlinson-photography, Wildlife, winter
Found Them Nuts!

Crummock Water

I had a photograph in my head that I have been trying to capture at Crummock Water for some time, so with the weather gods looking promising I set off to the northern end of the lake.

What a pleasant morning it was, cold, crisp, and clear with a slight dusting of snow on the higher fells. The water was flowing over the weir but not has high as I thought it would be considering the amount of rainfall we have had recently.

 

crummock-water, Cumbria, lake-district, Landscape, long-exposure, snow, sunrise, tony-tomlinson-photography, winter
The weir at Crummock Water looking towards Mellbreak, Red Pike and High Stile.

United Utilities want to drastically change Crummock Water by removing the weir and lowering the level of the water by 1.3 meters, I have covered this in a previous news post, this can be found here.

After taking a short walk around the southern and northern shore of Crummock Water, I decided to head to the southern end of the lake, a area that I had not visited for several years.

It is a lovely walk around the southern shore of Crummock Water, I was hoping that the old rowing boat would be there, this has made many photos in the past.

As I headed around the rocky headland where there are three rocks that jut out into the lake, I could not resist stopping to get an image, the light was not the best, but it wasn’t too shabby a shot.

crummock-water, Cumbria, lake-district, Landscape, Rocks, snow, sunrise, tony-tomlinson-photography, winter
Headland

As I was walking along the lake shore, I noticed three black horses and a whit horse in a field which were being back-light by the mornings sun, the white horse made a really nice composition.

Cumbria, lake-district, Landscape, long-exposure, snow, sunrise, tony-tomlinson-photography, White-horse, winter
Silhouetted White Horse

Sadly when I reached the meadows which sit between Crummock Water and Buttermere and where the rowing boat use to live, the area was totally waterlogged, far too much flowing water flowing through the reeds to move around, but I did manage to reach the little bay where the rowing boat is normally located, this was missing, so getting wet legs and feet was not worth the end result lol.

Unfortunately, this sums up my photography exploits for February, but all being well with Carole, I have a week’s photography to look forward too on the Isle of Harris and Lewis in March.

Thank you for finding the time to read this news blog, until the next one, stay healthy and safe.

Tony.

Trying to find the mist

tony-tomlinson-photography-derwent-water-myrtle-bay-mist- reflections-landscape- lake-district- sunrise

The forecast was for a hard frost during the night, but mist was scheduled to appear just before sunrise in several locations, not wanting to drive to far in case of a now-show, I decided to head for Derwent Water, as this is normally a good location for misty conditions.

My plan was to head for the southern shores of the lake to try and capture something a little different form the images that I already have of Catbells etc bathed in mist.

Myrtle, and Abbots Bay’s were my intended locations, for which I did not have a pre-determined plan on what I wanted to do, or capture, one of them times when you just shoot what appears at the time.

I soon found a partly submerged fence which had collapsed in the middle, I managed to get a couple of shots using this as the main interest, with the bank of mist in the background.

tony-tomlinson-photography-Derwent- Water-myrtle-bay-mist- reflections-landscape- lake-district- sunrise
A broken fence at Myrtle Bay on Derwent Water

From here I took a 2-minute walk along the path towards Great Bay to find the trees and shrubbery were covered in a Hoare Frost, so I had a play-about here trying to pick out some of the frost covered shrubs and trees against a dark background.

tony-tomlinson-photography-derwent- water-myrtle-bay-mist- reflections-landscape- lake-district-sunrise
A shrub covered in Hoare frost

Back to the lakeshore, but slightly further along, I came across a lovely little lone tree which was growing on a partly submerged rock, the water was flat calm, so allowing the tree to create a lovely reflection in the water’s surface, I played about with this composition for a while, capturing a couple of very nice images as I did.

I then found another frozen puddle, this time on one of the rocks that protrude out into the water, I thought the ice formation would make an original fore ground item, so set about taking a image of this.

tony-tomlinson-photography-derwent-water-myrtle-bay-mist- reflections-landscape- lake-district- sunrise
A frozen puddle in the rocks on the shore of Derwent Water looking towards Walla Crag

By now the sun was up and most of the mist had dispersed, but a huge bank of mist remained at the northern end of the lake, even though the sky was cloudless, the sun was illuminating the wintery Skiddaw with its brown winters colour, so I grabbed a few images of this view, and of course captured a panoramic of the whole scene, as I do!

After this I went back to the car to set off home, but has I drove along the lower slopes of Catbells towards Portinscale, I notice that the mists were moving along the lake towards Lords island, which was becoming swamped in mist, I stopped the car jumped out and grabbed a image of this scene, no planning, just point the camera and shoot, surprisingly, (I think) that this is one of the best images form the whole mornings trip.

tony-tomlinson-photography-derwent-water-myrtle-bay-mist- reflections-landscape- lake-district- sunrise
Lords Island slowly being engulfed by the bank of mist flowing along the lakes surface

Until next time, stay safe, enjoy your photography, and please feel free to comment on this news article or on any of the images contained within it.