Light: How it impacts on everyone’s photography

Barrow-Fell, Causey-Pike, Cumbria, Derwentwater, Grasmoor, Grisedale-Pike, lake-district, Landscape, long-exposure, Rowing-End, Spring, sunrise, tony-tomlinson-photography, UK

As a Lake District Photographer, light is the essential, creative element in photography, acting as both the source of illumination and the primary tool for creating mood, depth, and texture.

Controlling light through natural or artificial sources determines the subject’s prominence, contrast, and overall atmosphere.

Understanding Light

To fully appreciate the importance of light in photography, even in the best photography locations in the Lake District, it is important to have a basic understanding of how light works.

Light is a form of energy that travels in waves, when light waves enter the human eye or a camera lens, where the brightness and colour are interpreted to create an image.

It is the perception of light waves that creates a picture.

Light is the most essential component of photography, but the fun doesn’t have to stop when the sun goes down, portable flash, speedlights (small portable flash units), or studio flash (larger, mains powered light units) can be used to create both soft and hard light under stringently controlled conditions.

Light defines the photograph through intensity, this can be either hard or soft light, the direction of the light upon the subject, and colour temperature of the light.

Soft and/or Hard Light.

Soft light can be categorised as being gentle and/or diffused light creating subtle shadows, often found on cloudy days or using soft boxes/diffusers in a studio environment these are ideal for flattering portraits.

Hard light is normally created by direct, intense light which creates harsh, defined shadows, this great for high-contrast, dramatic scenes.

Using the direction of light in your photographs:

Front Light, this normally Illuminates the subject evenly, minimizing shadows but can produce flat images.

Side Light this highlights texture and creates drama by illuminating one side of the subject.

Back Light is when the light source is positioned behind the subject, creating silhouettes or a glowing “rim light” effect that separates the subject from the background.

More than one direction of light can be used to illuminate the subject, this is normally used in studio photography where is easier to accurately set-up and control the different light sources to create the image that the photographer is looking to achieve.

Light Temperature

Light temperature can be measured in different ways; the Kelvin range uses a number value to a given temperature colour.

Colour temperature can also be changed using a slider/dial where the range can be aligned from the blue to yellow spectrum, as you move the slider/dial the temperature within the image changes according to the direction you are moving the slider/dial.

 Examples of colour temperature are the golden hour, this would be rated a “warm” (yellow end of the colour spectrum) colour temperature, but an ice or snow scene would be rated as being “cold” (blue end of the colour spectrum) colour temperature.

A Lake District sunrise photograph would produce a “warm” colour temperature image, alternatively a Lake district winter photograph would produce a “cold” colour temperature image.

The following series of images are shot from the same location, but at different times to demonstrate the differing colour temperatures within the image.

Catbells, Cumbria, Derwentwater, lake-district, Landscape, long-exposure, maiden-moor, Spring, sunrise, tony-tomlinson-photography, UK
A “Blue Hour” (pre-sunrise) photograph, shot at 4.54 am in the UK summer. This produces a predominantly “cold” or blue image.

Practical Tips for Managing Light

Time of Day, midday light is often harsh, while morning and afternoon offer warmer, softer light.

Modify the light by using reflectors to bounce light into shadows or diffusers to soften harsh sunlight.

Light Painting is where a moving light source is used during long exposures to illuminate specific areas of a scene, or create a light “trail”

The Role of Light in Photography

The way you use light in your photographs can greatly impact the overall look and feel of the image.

Light creates shadows, highlights, and contrast which can add depth and ambience to your photographs.

You should learn to experiment with the placing of light or move your subject around to see how the changing light impacts upon your subject; this can dramatically impact the look and feel of an image.

Catbells, Cumbria, Derwentwater, lake-district, Landscape, long-exposure, maiden-moor, Spring, sunrise, tony-tomlinson-photography, UK
Sunrise produces a neutral colour temperature the image contains more “warmer” colours, but still has some “colder” tones within it. This image was captured at 5.14 am in the UK summer.

The Roll of Exposure in Photography

Another important aspect of using light in photography is exposure.

The exposure settings on your camera will dictate the amount of light that enters the camera and hits the camera sensor.

A proper exposure is essential for creating well-lit photographs that accurately capture the subject.

Techniques for using light in Photography

You can be as creative as you wish when experimenting with light but there are several techniques that are most effective when lighting your subject.

One technique is to use reflectors to bounce light onto your subject, this can help to fill in shadows and create an evenly dispersed lighting effect.

Another technique is to use a diffuser to soften harsh light, a diffuser can help to create a more natural-looking effect by spreading out the light and softening the intensity of shadows.

You can also experiment with different types of lighting to create different moods in your photographs.

Warm light can create a cosy and inviting atmosphere, while cool light can create a more clinical or sterile feel.

Another important technique to consider is the use of artificial lighting, studio lighting can help you to create a controlled lighting environment that allows you to highlight specific elements of your subject.

Tips for Using Light in Different Situations

Using light effectively in photography can be challenging in different situations, here are some tips for using light in different situations:

Outdoor photography:

When shooting outdoors, it’s important to pay attention to the direction and quality of the light. Early morning and late afternoon light can create a warm and inviting atmosphere, while midday light can be harsh and unflattering.

Try shooting in the shade or using a diffuser to soften harsh light.

By following these points, you are well on the way to produce images that will be suitable for landscape photography prints

Catbells, Cumbria, Derwentwater, lake-district, Landscape, long-exposure, maiden-moor, Spring, sunrise, tony-tomlinson-photography, UK
Post sunrise produces a much warmer colour temperature the image contains mostly “warmer” colours. This image was captured at 5.59 am in the UK summer.

Indoor Photography:

Indoor photography shoots generally require artificial lighting; there are numerous options available to create your own studio so try experimenting with different types of lighting.

Reflectors, soft boxes, or light diffusers are a helpful tool when attempting to bounce light onto your subject.

As a family photographer in Cumbria, these actions are always assessed before and during a shoot to ensure the best possible results are obtained.

Portrait Photography:

When shooting portraits, the subject’s face is usually the focal point and the area that needs most attention.

Here, side lighting can create dramatic shadows, while front lighting can create a drab and unflattering look.

If the aim is to create a natural effect, a diffuser will soften any harsh light, any outdoor family photoshoot in the Lake District would embody these considerations.

Landscape Photography:

When shooting landscapes, the direction and quality of light will differ at different times of the day.

Early morning and late afternoon light can create a warm and soft atmosphere, while midday light can be overly severe, try using a polarising filter to reduce glare and create more vibrant colours.

You can use light to create depth and dimension where light can create long shadows and interesting highlights, this can add another dimension to photos and create additional depth.

Try experimenting with different lighting angles and intensities and observe how shadows and highlights behave as you move and adjust.

Conclusion

The importance of lighting in photography cannot be overstated, lighting is central to all photography and once you have a strong understanding of techniques and light quality, there is no stopping you from creating stunning images.

Thank you for finding the time to read this article, if you have any questions relating to “light” please get in touch.

 

The most intense Inversion I have witnessed

Whilst mooching around the home, I casually looked at the weather apps, they all indicated favourable conditions for mist and possible inversions around the Lake District the following morning.

I was eager to follow the indications of the weather forecast, but where to go, I had recently spent a morning in the Lorton Valley in misty conditions, Ambleside was visited last week, so where to go?

I decided to play it by ear! get in the car and drive towards Keswick and see what the conditions were looking like.

As I dove past Embleton, not much sign of mist, my enthusiasm was draining, onwards towards Bassenthwaite Lake, and my fists sign of mist, my enthusiasm returns, within no time, I was driving under a thick blanket of mist or cloud, no visibility of the surrounding hills, and less than 150 meters of visibility up the road.

Time to reduce the speed as it was becoming a serous peasouper, even in these conditions, drivers were flying past me at ridiculous speeds driving into a wall of unknowns.

I reached Keswick and stopped to take stock of what was around me, thick mist horizontally, but still no sight of any of the surrounding fells. Racking my brain, I decided to get up high, in the hope that I could get above the mist, Ashness was the closest road which would enable me to do this, so this is where I was heading. Even driving along the shore of Derwent Water Catbells was not visible.

As I began to gain height up towards Ashness bridge, the mist was still very thick, over the bridge I went and continued up towards Surprise View, I passed Ashness farm on my left and I was still in the mist, but then suddenly as I gained a little more height, I came out of the mist to a clear autumnal morning. I was intrigued to see what the conditions were going to be like at Surprise View, would I be above the mist, or still entwined in its grasp.

As I approached the viewpoint, having parked the car, I was gobsmacked at the scene in front of me, the whole of the Borrowdale valley was smothered in a sold blanket of mist, nothing was visible in the valley for as far as the eye could see. Time to get the camera out and find some compositions.

3 x 1, Autumn, Borrowdale, Catbells, Cumbria, inversion, lake-district, maiden-moor, Suprise, surprise-view, tony-tomlinson-photography, UK
Greeted by this view from Surprise View

It was 10 minutes before sunrise, so the light was flat with little contrast, it was surly just a waiting game for the light to hit the masses of mist from above?

Patience was the name of the game now, lets just wait and see what develops, a fellow photographer joined me at this time, he being set up at the opposite end of the viewpoint.

I began by taking a series of panoramic shots of Maiden Moor and Catbells to show the intensity of the inversion, even though there was no real light on the fells at this time. This method would be my composition of choice for the remained of my time here, as I was struggling to capture the story of the conditions in one standard 3 x4 frame.

Autumn, Borrowdale, Catbells, Cumbria, inversion, lake-district, Surprise, surprise-view, tony-tomlinson-photography, UK
Maiden Moor to the left and Catbells to the right, under the inversion is Derwent Water!!

Then, wowsers, as the light began to impact on the views in front of me, some lovely light in the sky contrasted with the light being bounced off the layer of mist in the valley. There was some lovely light and mist conditions around the Skiddaw range, but I was frustrated not to be able to shoot the full length of the hills as I was being blocked off by the encroaching trees and bushes close by. Not to be disappointed, I shot what I could in the hope of being able to create some decent images from those that I took.

Autumn, Borrowdale, Cumbria, inversion, lake-district, Skiddaw, Surpise, surprise-view, tony-tomlinson-photography, UK
The Skiddaw range

The conditions were stunning when looking towards Bassenthwaite Lake the only land I could see was Swinside poking through the solid layer of mist in the centre of the scene, Skiddaw range to the east, and the Cumbrian Mountains to the East, everything else was hidden from view.

19 x 9, Autumn, Borrowdale, Cumbria, inversion, lake-district, surprise-view, tony-tomlinson-photography, UK
The Cumbrian Mountains to the east, Swinside poking through, and Skiddaw to the west.

The sun was getting higher in the sky by this point, further enhancing the magical conditions which I was witnessing, I just kept taking shots.

Soon it was over, the light was becoming very intense and hard, but the inversion was still 100%, as I had been snapping away for over a hour, I had a thought in my head, what kind of conditions would there be at Ashness Bridge, there was mist adoring it on my earlier drive up, so off I set to bomb down the hill and see what greeted me.

I was well please when I got there, the mist was swirling around, clearing then closing in in. Ideal conditions for trying my hand at some woodland photography, now, I am by no-means competent at this genre of photography, but I had to give it a go.

Ashness, Autumn, Borrowdale, Cumbria, lake-district, Landscape, Mist, silver-birch-tree, tony-tomlinson-photography, UK
Mist and the Birch Tree

I even got an unusual set of images of the Ashness Bridge looking towards Keswick, with nothing in the background but mist, the autumnal coloured trees helped make the images though.

Ashness, ashness-bridge, Autumn, birch-trees, Borrowdale, Cumbria, lake-district, Landscape, Mist, tony-tomlinson-photography, UK
A atmospheric Ashness Bridge

I went for a little trek around the area, having the place to myself, and found several shots of things like spider’s webs covered in due and back-light, I also found several interesting woodland shots

Ashness, Autumn, Borrowdale, Cumbria, hawthorn-bush, lake-district, Landscape, Mist, spiders-web, tony-tomlinson-photography, UK
A Spiders Mess
Ashness, Autumn, Borrowdale, Cumbria, lake-district, Landscape, Mist, silver-birch-tree, tony-tomlinson-photography, UK
An Autumnal Canopy

From Ashness Bridge I decided to head down to the lake to see if the mists had lifted a little and was hopeful of finding something interesting.

Isthmus Bay was my location, and I was happy to find that the mists had in fact dispersed from the lake area, but was still prevalent higher up along the fells, the sun was breaking through which was creating some nice light, calm conditions so the water was reasonably calm, and on my jack jones again.

Time to get snapping, not long after, I noticed that the lake launches were running, with the mist creating a rather surreal image as they sailed into, and out of the mist, I was on to this right away as I thought that these would make interesting images.

Autumn, Catbells, Cumbria, derwent-water, fawepark, Isthmus-bay, jetty, lake-district, Landscape, launch, Mist, tony-tomlinson-photography, UK
The Launch Towards Catbells

The autumnal coloured trees on the opposite shore of the lake created an interesting backdrop for a couple of photos when contrasting against the whiteness of the mist and the water.

 

Autumn, boat-house, Cumbria, derwent-water, fawepark, Isthmus-bay, jetty, lake-district, Landscape, Mist, tony-tomlinson-photography, UK
Mistiness

After a hour or so at this location, the light was becoming hard, and the mists were slowly disappearing, the best conditions were behind us, so it was time to head home for a warm drink, some food, and to reflect on what had been an enjoyable 5 hours.

Thank you for taking the time to read about my adventures, I hope it brings some enjoyment to you, until next time, stay safe, and enjoy life.